Engaging “Backtalk”: Decolonizing Bryn Mawr’s African Art Collection

by Grace Pusey

Backtalk_Sketch

My sketch in response to the “Backtalk” exhibit at Bryn Mawr College, February 21, 2015.

On Saturday, February 21, 2015 I attended the Creative Workshop engaging the Backtalk: Exposures, Erasures, and Elisions of the Bryn Mawr College African Art Collection exhibit in Canaday Library. The workshop, facilitated by Whitney Lopez, Class of 2015 and Alice Lesnick, Term Professor of Education and Africana Studies Coordinator, encouraged students to respond to the exhibit via writing, visual media, and performance. The exhibit itself showcases 35 artworks pertaining to various aspects of family, political, and spiritual life and invites viewers to “[…] engage questions of what the collection includes, leaves out, clarifies, and obscures, as well as how the collection came to be and how it functions within and beyond the College.”1 Because creativity is not my forte I was hesitant to participate in the workshop, but I forced myself to go for two reasons. First, I felt strongly that the questions the exhibit poses about Euro-American legacies of colonialism in Africa and Bryn Mawr’s relationship to them were relevant to the Black at Bryn Mawr project. Second, I felt it would be terribly opaque to focus solely on the “hidden histories” of Black experiences at the College revealed to us in archived documents while overlooking spaces on campus where Black students, faculty, staff, and their allies are already questioning Bryn Mawr’s representation of its history, challenging its master narratives, and speaking truth to power.

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  1. Museum label for “About the Backtalk Exhibit,” Bryn Mawr, PA, Bryn Mawr College Special Collections, February 21, 2015. []

Finding a Way to Re-Remember History: The Idea for a Walking Tour

by Emma Kioko

Dr. Tim McMillan, developer of UNC's Black and Blue Tour, via Virtual Black and Blue Tour website.

Dr. Tim McMillan, developer of UNC’s Black and Blue Tour, via Virtual Black and Blue Tour website.

Last week, Grace and I had the opportunity to speak with Dr. Tim McMillan about our project. As the creator of and researcher for the Black and Blue tour at the University of North Carolina at Chapel Hill, Dr. McMillan was an invaluable source of inspiration and information. During our conversation, Dr. McMillan talked a lot about institutional erasure. It is in the best interest of elite academic institutions, he argued, to erase, obscure, or trivialize discourses and histories of racism and racial intolerance on administrative, social, and academic levels. This erasure, whether or not it is intentional, makes projects such as ours incredibly important.

Visit: Virtual Black and Blue Tour at UNC

One of the most important components of both our walking tour and digital record will be the histories we rediscover, re-remember, and represent to the Bryn Mawr community and beyond. With that in mind, I wanted to share a little bit more about how this project came to fruition as both a Praxis independent study course and potential walking tour.

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Welcome to Black at Bryn Mawr

((crossposted from Educating Women, the Greenfield Digital Center blog))

by Grace Pusey

This semester Emma Kioko and I are collaborating on a Praxis III independent study course titled Black at Bryn Mawr, a project that will illuminate the history and experiences of Black students, faculty, and staff at the College. Using Bryn Mawr Special Collections as well as primary sources archived outside of the College, we are analyzing the ways in which Bryn Mawr has chosen to record, remember, and represent racism in its history. Using the archives, we are identifying spaces of both racial conflict and conversation on campus in order to develop a final project in the form of a campus walking tour and a digital historical record.

Follow the Black at Bryn Mawr blog, tumblr, and Twitter hashtag #BlackatBrynMawr

Bryn Mawr College Teach-In on Race, Higher Education, and Responsibilities, November 2014.

Bryn Mawr College Teach-In on Race, Higher Education, and Responsibilities in Thomas Great Hall (November 2014), via Educating Women blog.

The project was born out of several community-wide conversations that occurred after two students hung a Confederate flag in their dormitory in September 2014. Emma came up with the idea of doing a campus walking tour modeled after the Black and Blue tour at the University of North Carolina, where she spent time last summer. Because I work at the South Asian American Digital Archive (SAADA) in Philadelphia, I offered to help create a digital historical record to complement the tour. In this way, Emma and I are working to create multiple avenues to engage with Black history at Bryn Mawr. We hope the walking tour will prompt community members to look at the campus and experience the place we inhabit in new ways, and that the digital historical record will function as a complementary space of deepened historical consciousness.

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Enid Cook, 1927-1931: Bryn Mawr’s First Black Graduate

Enid Cook, Class of 1931, in her senior yearbook picture.

Enid Cook, Class of 1931, in her senior yearbook picture.

by Grace Pusey

Enid Cook was the first African American woman to obtain her degree from Bryn Mawr College. Prior to matriculating to Bryn Mawr, Cook graduated from Dunbar High School in Washington, D.C. (the first academically elite public high school for Black students in the U.S.) and spent one year at Howard University, where she was a straight-A student.1 She transferred to Bryn Mawr in 1927, where she majored in chemistry and biology.2 Six years after she graduated in 1931 she earned a Ph.D. in bacteriology in 1937 from the University of Chicago, where she went on to become a lecturer in the department of medicine from 1937-1944. In 1944 she married Arcadio Rodaniche, a doctor, and moved with him to Panama, where she served as the chief of the Public Health Laboratory for four years, then as a professor of microbiology at the University of Panama from 1954-1974. A highly gifted and pioneering woman in the sciences, Enid Cook published more than fifty articles in the field of arthropod-borne viruses over the course of her career.3

Cook’s exemplary academic record, however, did not preclude her from experiencing obstacles created to her admission to Bryn Mawr or from suffering social isolation and food insecurity stemming from the College’s stipulation that she reside off campus during her undergraduate career.4 She was fully aware of the challenges she would face at an all-white institution when she applied to the College, however, and refused to be deterred by them. Continue reading

  1. Emily T. Douglas to Marion Park, April 3, 1926, Letter, Marion Park Papers 1922-1942, Box 29 IDB3, “Park Students — Negro,” Bryn Mawr College Special Collections, Bryn Mawr, PA. []
  2. Anne L. Bruder, “Enid Cook, Class of 1931.” Offerings to Athena: 125 Years at Bryn Mawr College (Bryn Mawr College, Bryn Mawr, PA: Friends of the Bryn Mawr College Library, 2010): p. 107. []
  3. Ibid. []
  4. Acting President of the College to Mrs. Talbot Aldrich, July 18, 1930, Letter, Marion Park Papers 1922-1942, Box 29 IDB3, “Park Students — Negro,” Bryn Mawr College Special Collections, Bryn Mawr, PA. []

Letter from M. Carey Thomas to Marion Park

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by Grace Pusey

Emma and I commenced our research on Black history at Bryn Mawr with a file labeled “Park Students – Negro” in a box of papers pertaining to Marion Park’s presidency housed at Bryn Mawr College Special Collections in Canaday Library. Marion Park was President of the College from 1922-1942, and though her administration was not the first to handle the “question” of Black students’ admittance to Bryn Mawr, it was the first to craft admissions policies that set a precedent for the admission of Black students to Bryn Mawr as non-residents.

In response to a compromise proposed by President Park that Black students could attend Bryn Mawr, but only if they lived off campus, M. Carey Thomas (who served as the College’s second President from 1894-1922 and remained an influential College voice after her retirement) wrote a letter to Park dated September 7, 1926 expressing her support. After all, she opined, permitting Black students to live in residence alongside white students would “[…] outrage the social conventions to which [white students] and their families are accustomed,” and such a policy could not be carried out “[…] without arousing deep resentment, and, as a consequence, losing much loyalty, financial support, and very many highly desirable white students from our home state of Pennsylvania, New York, and other Middle Atlantic states, and practically all our Southern students.” Moreover, Thomas insisted that “[…] there seems to be little, if any, appreciable movement toward the admission of negroes into our social life […]. On the contrary, I believe, that the result of the scientific studies of the effects of immigration and of the teachings of heredity now being made are leading us in the other direction.”

In other words, Thomas believed that modeling social reform was less vital to the College’s mission than securing financial backing bequeathed to the institution by white students and families who relied on Bryn Mawr’s reputation to bolster and perpetuate their elite status in white society, especially given that “scientific studies of the effects of immigration and of the teachings of heredity” engendered doubt that social reform would prove necessary or valid at all in the long term. Admitting Black students to Bryn Mawr as non-residents only would appease advocates of social reform, at least temporarily, while minimizing the risk of alienating Bryn Mawr’s key financial constituents.

The non-residency stipulation for Black students’ admission was a noncommittal answer to the question of whether or not Black women should be entitled to the same educational and social opportunities as white women. To the question of social opportunities, Bryn Mawr’s response was a firm “no.” Black students’ exclusion from campus life was designed to prevent them from socializing with white students as much as possible, and preferably not at all. To the question of educational opportunities, Bryn Mawr extended a reluctant “yes” that could be — and in fact, later was — rescinded gradually without reneging on established precedent by manipulating the rules and regulations imposed on students residing off campus. (Emma and I will elaborate on this in forthcoming posts.)

The letter from M. Carey Thomas to Marion Park demonstrates that, even with the implementation of reforms that permitted Black students to earn degrees from Bryn Mawr for the first time in the College’s history, the administration’s prerogative was not progress, but appeasement.

A scanned copy of the letter and a typed transcription after the jump. Continue reading